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fetchpriority=\"low\">\u003Cp>『齊返邦長法化六字刀幣』\u003C\u002Fp>\u003Cp>公元前284年，戰國時代燕國名將樂毅率軍攻打齊國，面對來襲的敵軍，齊國決策圈判斷失誤，沒有料到燕國聯合其他六國組成聯軍。來勢洶洶的聯軍洪流在六個月內接連攻山拔寨，就連齊國首都臨淄都被攻破，全境只剩下莒和即墨兩座城池。\u003C\u002Fp>\u003Cp>在齊國存亡之際，主將田單想出一個妙招，他故意放出消息說：「唉呀，我們齊國人最怕的，就是被割鼻子受刑啦！」。燕國將領一聽，真的信了，把抓到的俘虜都割了鼻子。結果齊國百姓看到自己的同胞被這樣對待，氣得咬牙切齒。\u003C\u002Fp>\u003Cp>田單見效果不錯，又接著放話說：「還有喔，我們齊國人最怕祖先的墳墓被挖出來！」，燕軍\u003C\u002Fp>\u003Cp>又再次上當，真的派人去挖墳燒屍體。這下子，齊國人更是怒到不行，整個民心被點燃。\u003C\u002Fp>\u003Cp>田單眼見時機成熟開始準備反攻。他到處收集、湊了上千頭牛。把牛身上畫滿了五顏六色的花紋，再披上土黃色的布料、牛角上綁刀子、牛尾巴纏上浸過油的蘆葦。\u003C\u002Fp>\u003Cp>深夜，齊軍悄悄在城牆上挖了十幾個小洞，點燃牛尾巴的蘆葦。牛被燒得痛得要命，發了狂一樣往燕軍陣營猛衝過去。同一時間，田單帶著五千精兵緊跟在牛群後面殺出。\u003C\u002Fp>\u003Cp>燕軍一看到火光、聽到牛角上刀子劈哩啪啦響，再加上齊國城裡的男女老幼全都敲鑼打鼓，聲音震天價響，以為遇到了什麼天兵天將，嚇得魂飛魄散，整個軍隊迅速潰散。\u003C\u002Fp>\u003Cp>田單一鼓作氣，帶兵追擊，連下齊國七十多座城池，把燕軍一路打到河邊才停下來。\u003C\u002Fp>\u003Cp>齊襄王為了紀念這個反敗為勝、光復失土的重大功績，而鑄造了六字刀幣的紀念幣\u003C\u002Fp>\u003Cp>齊人在濟西之戰到田單復國之間死守莒城和即墨，也成為成語「毋忘在莒」的其中一個出處。\u003C\u002Fp>",2080,[113,114,115],"\u002Fuploads\u002Fproducts\u002Fa8077c655dbe4e1ca18c49dde5e4c32b.jpg",[328,330,333,336,339,342,345],{"id":329,"url":326,"altText":322,"sortOrder":20},64,{"id":331,"url":332,"altText":322,"sortOrder":24},70,"\u002Fuploads\u002Fproducts\u002F8bc197dfb2744eb7b9123e96805058bd.jpg",{"id":334,"url":335,"altText":322,"sortOrder":27},65,"\u002Fuploads\u002Fproducts\u002F461f57fc29ba494797785da3d070fa87.jpg",{"id":337,"url":338,"altText":322,"sortOrder":30},66,"\u002Fuploads\u002Fproducts\u002F29368bd6d472492db962dd6c32255991.jpg",{"id":340,"url":341,"altText":322,"sortOrder":33},67,"\u002Fuploads\u002Fproducts\u002F5838e927927b400eb6a7084e0baaf585.jpg",{"id":343,"url":344,"altText":322,"sortOrder":36},68,"\u002Fuploads\u002Fproducts\u002Fda348eb1a4c6484c92fc2d9929674903.jpg",{"id":346,"url":347,"altText":322,"sortOrder":39},69,"\u002Fuploads\u002Fproducts\u002Fbada61a250c342d2813aeadba742e33a.jpg","2026-10-23T08:14:00.6192400Z","\u002Fapi\u002Fproduct-covers\u002F17?v=a8077c655dbe4e1ca18c49dde5e4c32b",{"M":5,"L":5,"XL":5},{"mode":58,"launchAtUtc":56,"serverNowUtc":352,"badgeBackground":150,"badgeTextColor":101,"label":47,"preorderStartedAtUtc":56,"preorderEndsAtUtc":56,"productionEndsAtUtc":56},"2026-11-04T20:29:51.1404575Z",{"id":162,"slug":354,"name":355,"description":356,"material":107,"care":108,"seoTitle":355,"seoDescription":155,"price":324,"currency":13,"color":156,"sizes":357,"imagePosition":20,"imageUrl":358,"images":359,"videoUrl":47,"updatedAtUtc":380,"stock":185,"isFeatured":50,"sortOrder":55,"categorySlug":143,"categoryName":144,"weightKg":222,"previewImageUrl":381,"sizeStocks":382,"model3d":56,"sale":383},"cashonly9","Gesso 4 Sweatpants(Grey)","\u003Cp>Gesso是品牌在24年發表的簡約系列，旨在利用Gesso(繪畫打底劑)之名，表現簡潔基礎的設計概念，過去我們嘗試以不同種類的印刷膠特性、裁片結構上的設計來在基礎上做出不同的突破。\u003C\u002Fp>\u003Cp>本次的第四代Gesso我們從代表品牌的兩個標誌出發（ㄧ）：與經典布幣Logo同為戰國時期的『六字刀幣』，主理人將同樣貼合品牌氣質的六字刀幣做全新詮釋，讓獨立的個體成雙交叉，形成如同歐洲盾勳的雙刀標誌，並輔以繩索串連，象徵古代人民日常使用錢幣時都會利用繩索穿過錢幣上孔洞的習慣，讓2200年前的精彩戰役故事與人文習慣穿越回到當代。\u003C\u002Fp>\u003Cp>（二）：品牌字樣始終是在進行設計上繞不開的坎。有鑒於市場上的作品多由常見電腦字體來進行設計，Cashonly在獨有的手繪畫作繪製之餘，我們也認為在字樣款式的設計上，我們應該遵循我們堅持的價值——自行用原創的繪製方式把字體設計出來。主理人使用墨水鋼筆進行反覆數十上百次的書寫，只選一個氣勢最順暢、最有行氣與符號之美的版本來做使用。標榜手繪設計不是口號，我們用實際作為實踐理念。\u003C\u002Fp>\u003Cimg src=\"\u002Fapi\u002Fcontent-images\u002F1600\u002Fdescriptions\u002F3d50c9161612415898503c25c0683963.jpg\" alt=\"LINE_ALBUM_Gesso 4商品照_260930_66\" loading=\"lazy\" srcset=\"\u002Fapi\u002Fcontent-images\u002F480\u002Fdescriptions\u002F3d50c9161612415898503c25c0683963.jpg 480w, \u002Fapi\u002Fcontent-images\u002F960\u002Fdescriptions\u002F3d50c9161612415898503c25c0683963.jpg 960w, 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fetchpriority=\"low\">\u003Cp>\u003C\u002Fp>",[113,114,115],"\u002Fuploads\u002Fproducts\u002Fa6189a88d3a94709a0a5b2c54b1b8ada.jpg",[360,362,365,368,371,374,377],{"id":361,"url":358,"altText":355,"sortOrder":20},72,{"id":363,"url":364,"altText":355,"sortOrder":24},71,"\u002Fuploads\u002Fproducts\u002F546b792b2286473c9beb5a0a814de074.jpg",{"id":366,"url":367,"altText":355,"sortOrder":27},73,"\u002Fuploads\u002Fproducts\u002F919ff33c64ac4e489c86f1c7308fd936.jpg",{"id":369,"url":370,"altText":355,"sortOrder":30},74,"\u002Fuploads\u002Fproducts\u002F51f8648578c4471495bdb25233c878f7.jpg",{"id":372,"url":373,"altText":355,"sortOrder":33},75,"\u002Fuploads\u002Fproducts\u002F68d1b63975c744d9af8392b45120b919.jpg",{"id":375,"url":376,"altText":355,"sortOrder":36},76,"\u002Fuploads\u002Fproducts\u002F5f3a81b8603644558688471833a400de.jpg",{"id":378,"url":379,"altText":355,"sortOrder":39},77,"\u002Fuploads\u002Fproducts\u002F946e72ed8874464fa6e31bc863d7f080.jpg","2026-10-23T08:15:06.2093921Z","\u002Fapi\u002Fproduct-covers\u002F18?v=a6189a88d3a94709a0a5b2c54b1b8ada",{"M":5,"L":5,"XL":5},{"mode":58,"launchAtUtc":56,"serverNowUtc":384,"badgeBackground":150,"badgeTextColor":101,"label":47,"preorderStartedAtUtc":56,"preorderEndsAtUtc":56,"productionEndsAtUtc":56},"2026-11-04T20:29:51.1406433Z",{"id":147,"slug":386,"name":387,"description":388,"material":389,"care":390,"seoTitle":387,"seoDescription":391,"price":392,"currency":13,"color":74,"sizes":393,"imagePosition":20,"imageUrl":394,"images":395,"videoUrl":47,"updatedAtUtc":407,"stock":147,"isFeatured":50,"sortOrder":103,"categorySlug":408,"categoryName":409,"weightKg":52,"previewImageUrl":410,"sizeStocks":411,"model3d":56,"sale":412},"cashonly11","NOT FROM PARIS Cotton Cap","\u003Cp>\u003Cstrong>創作理念｜Concept\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Cstrong>「每個品牌都有自己的故鄉，卻彷彿所有品牌，都希望自己來自巴黎、倫敦，或洛杉磯。」\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>法國三色旗的歷史可追溯至法國大革命時期。藍、白、紅三種色彩，融合了巴黎的城市象徵與法國王室的傳統色彩，逐漸成為自由、平等與博愛的象徵。\u003C\u002Fp>\u003Cp>在歷史與文化的演變中，這三種顏色也被賦予不同的意涵。藍色讓人聯想到聖馬丁的長袍，白色象徵聖女貞德的純潔與信念，紅色則與法國守護聖人聖但尼的旗幟有所連結。\u003C\u002Fp>\u003Cp>然而，鮮少有人注意到，這面看似簡單的三色旗，其實隱藏著精密的視覺設計。\u003C\u002Fp>\u003Cp>法國海軍旗所採用的三色條紋，並非完全等寬，而是以 \u003Cstrong>30：33：37\u003C\u002Fstrong> 的比例排列。\u003C\u002Fp>\u003Cp>由於白色的視覺亮度高於兩側色彩，容易使人眼產生寬度上的錯覺，因此透過縮窄藍色、加寬紅色的方式，讓整體在視覺上呈現更加自然、均衡的效果。\u003C\u002Fp>\u003Cp>法國國旗的規格也曾隨歷史演變而調整。如今，法國國旗普遍採用等寬三色設計，而海軍旗則保留了這套經過視覺修正的特殊比例。\u003C\u002Fp>\u003Cp>\u003Cstrong>看似理所當然的經典，背後往往藏著不為人知的細節。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>這樣的設計思維，也成為本次作品的重要靈感之一。\u003C\u002Fp>\u003Cp>\u003Cstrong>字體設計｜Typography\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>本次作品所使用的手寫字體，由 CASHONLY 主理人親自繪製。\u003C\u002Fp>\u003Cp>從字母的筆畫、轉折、間距到整體排列，經過反覆調整與修正，追求自然流暢的線條表現。\u003C\u002Fp>\u003Cp>我們不只在意字體本身是否好看，更重視它實際呈現在服裝上的視覺比例。\u003C\u002Fp>\u003Cp>\u003Cstrong>讓每一道筆畫，都能在穿著時呈現最恰到好處的狀態。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Cstrong>網版印刷｜Screen Printing\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>本次作品採用多道工序的特殊網版印刷技術。\u003C\u002Fp>\u003Cp>所有印刷部位皆以發泡劑作為基底，表層再覆以日本進口印花漿料，最後透過高溫、高壓進行加工處理。\u003C\u002Fp>\u003Cp>為了呈現理想的立體效果，我們針對溫度、壓力與加工時間進行多次測試，精準控制發泡劑的膨脹程度。\u003C\u002Fp>\u003Cp>使印花能夠自然隆起，展現飽滿且細緻的立體層次，同時避免過度膨脹造成布料拉扯、皺縮或變形。\u003C\u002Fp>\u003Cp>\u003Cstrong>真正的細節，不只是看得見的設計，更是那些不容易被察覺的堅持。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Cstrong>面料與配色｜Fabric & Color\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>在印花配色上，我們選用國際標準 \u003Cstrong>PANTONE Reflex Blue、White 與 032 Red\u003C\u002Fstrong>，以法國三色旗的經典色彩為基礎，忠實呈現其鮮明而純粹的視覺印象。\u003C\u002Fp>\u003Cp>本次作品亦特別選用麻花灰作為主要布料配色。\u003C\u002Fp>\u003Cp>為了兼顧不同部位的穿著需求，我們分別採用觸感舒適的精梳純棉，以及柔順且具備良好韌性的健康布料。\u003C\u002Fp>\u003Cp>即使使用不同材質，我們仍反覆比對布料的色澤、深淺與紋理，盡可能將色差控制在最低程度。\u003C\u002Fp>\u003Cp>讓不同材質在同一件作品中自然融合，兼顧穿著舒適度與整體視覺的一致性。\u003C\u002Fp>\u003Cp>\u003Cstrong>品牌理念｜Brand Philosophy\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>某年夏季，CASHONLY 團隊前往法國參展。\u003C\u002Fp>\u003Cp>在那段旅程中，我們親身感受到這座城市所累積的歷史、文化與時尚能量，也從當地的街道、建築與生活氛圍中，汲取了許多創作靈感。\u003C\u002Fp>\u003Cp>巴黎、倫敦、洛杉磯。\u003C\u002Fp>\u003Cp>這些城市長久以來都是無數品牌嚮往的舞台。\u003C\u002Fp>\u003Cp>許多品牌渴望在這些地方嶄露頭角，獲得世界的認可，甚至希望自己的名字能與這些城市產生連結。\u003C\u002Fp>\u003Cp>\u003Cstrong>我們也不例外。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>我們同樣嚮往更大的舞台，期待有一天能讓來自台灣的作品，被世界看見。\u003C\u002Fp>\u003Cp>然而，在追逐光環與榮耀的同時，我們更不希望失去品牌最初的模樣。\u003C\u002Fp>\u003Cp>那些帶有批判意味的觀察、對既定價值的質疑，以及藏在設計背後的諷刺與幽默，始終是 CASHONLY 不願妥協的創作精神。\u003C\u002Fp>\u003Cp>\u003Cstrong>我們欣賞巴黎，但不需要假裝自己來自巴黎。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Cstrong>我們嚮往世界，卻不必為了迎合世界而改變自己的出身。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>這次的作品，既是對經典文化的致敬，也是對時尚產業某些既定印象的反思。\u003C\u002Fp>\u003Cp>它可以是一種嘲諷，可以是一場玩笑，也可以只是我們對自己開的一個玩笑。\u003C\u002Fp>\u003Cp>因為對 CASHONLY 而言，品牌的價值從來不取決於它誕生在哪座城市。\u003C\u002Fp>\u003Cp>\u003Cstrong>而是它究竟想說些什麼。\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003Cstrong>Not from Paris.\u003Cbr>And that's the point.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>\u003Cem>Copyright © 2015 CA$H ONLY. All Rights Reserved.\u003C\u002Fem>\u003C\u002Fp>","材質: 100%棉 斜纹面料\n版型: 帽冠刺繡透氣孔\u002F內縫軟襯","建議以冷水搭配中性洗劑局部手洗，避免長時間浸泡。\n不可漂白、不可烘乾、不可熨燙。\n清潔後請整理帽型，置於陰涼通風處自然晾乾，避免陽光直射。","創作理念｜Concept「每個品牌都有自己的故鄉，卻彷彿所有品牌，都希望自己來自巴黎、倫敦，或洛杉磯。」法國三色旗的歷史可追溯至法國大革命時期。藍、白、紅三種色彩，融合了巴黎的城市象徵與法國王室的傳統色彩，逐漸成為自由、平等與博愛的象徵。在歷史與文化的演變中，這三種顏色也被賦予不同的意涵。藍色讓人聯想到聖馬丁的長袍，白色象徵聖女貞德的純潔與信念，紅色則與法國守護聖人聖但尼的旗幟有所連結。然而，鮮少有人注意到，這面看似簡單的三色旗，其實隱藏著精密的視覺設計。法國海軍旗所採用的三色條紋，並非完全等寬，而是以 30：33：37 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x Mixdo -Vasuki Giclée","\u003Cp>Cashonly x Mixdo聯名系列原畫，兩款均限量一張。\u003C\u002Fp>\u003Cp>委由Avocado以當代最高品質的數位輸出技術印製，紙張選用192gsm的Epson Enhanced Matte Paper紙張印製，裱平電木展麗版襯以簡約黑框，右下方均有雙方主理人手寫簽名落款和1\u002F1字樣。\u003C\u002Fp>\u003Cp>－\u003C\u002Fp>\u003Cp>創作理念\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>婆蘇吉（वासुकि），是印度神話中的蛇神，也是佛教八大龍王之一，是眾多蛇神的大領袖。在創世神話「乳海攪拌」事件中，婆蘇吉也擔當重要的角色。\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>印度神話的眾神也如同凡人一般有著生老病死，眾神一直被這個問題所困擾。眾神所居住的世界中心、最高山須彌山四周被宇宙海乳海所包圍，據說在這片乳海中蘊藏著長生不老的甘露，以濕婆為首的眾神與阿修羅族為了獲得甘露，在經過長久的爭鬥之後協議要一起合作。祂們以婆蘇吉如山脈一般巨大的身軀為絞繩，一端由92個阿修羅在岸邊握著，另一端由88個天神在對岸抓著，蛇身中間則纏繞著曼陀羅山，以曼陀羅山（須彌山）為攪棒向乳海作出激烈的攪拌，希望取得乳海底的甘露。\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>在持續攪拌了一千年後，龍王婆蘇吉終於受不住翻攪過程的劇痛，從口中吐出劇毒，這口恐怖的毒液可以毀滅三界，在危急的關頭濕婆挺身而出，將毒液一口吞下拯救了世界與眾生，而濕婆的妻子雪山女神為了保護濕婆不讓毒液流進腹中傷害濕婆，便出手扼住濕婆的喉嚨，但濕婆的喉嚨也因此被毒液灼成了青紫色，因此濕婆又被稱為青喉者（Nīlakaṇṭha）。\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>自此婆蘇吉便成為濕婆的忠實信徒，祂長年盤據在濕婆的脖子上，在《摩訶婆羅多》中，婆蘇吉被描述為正義、仁慈、智慧、心懷眾生的形象，祂更是與濕婆緊緊聯繫起來，常作為濕婆的另一種象徵，經常出現在濕婆神廟中的圖畫與雕塑中。\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>印度神話中的滅世洪水事件中，人類始祖摩奴在化身為魚的毗濕奴提示下，製造拯救萬物生靈的大方舟。據說摩奴當時亦以婆蘇吉的長蛇軀體，一端繫緊方舟的船頭，另一端繫在化身為巨魚的毗濕奴身上，讓巨魚牽著方舟到達喜馬拉雅山逃過洪水之劫。\u003C\u002Fp>\u003Cp>\u003C\u002Fp>\u003Cp>婆蘇吉等蛇神後被吸納進佛教中，就成了「八大龍王」，是列於法華經會座上的護法善神。佛教中的龍原型其實就是蛇，在傳入中國後與神話傳說中的「龍」融合統一，後世的佛寺中描繪的龍王都是有龍角、龍爪之形象，無論是蛇神抑或是龍王，都是時代的巨輪裡，先民對於自然力量與巨大生物的敬畏與浪漫。\u003C\u002Fp>","192gsm／Epson Enhanced Matte Paper紙張印製\n裱平電木展麗版襯以簡約黑框","・避免陽光直射，遠離潮濕、高溫與冷氣出風口。\u2028・拿取時保持雙手清潔乾燥，輕持紙張邊緣，避免觸碰畫面。\u2028・請勿以水、酒精或清潔劑擦拭作品，也不要摩擦印刷表面。\u2028・裝框後，以柔軟乾布清潔框體；清潔玻璃時，請勿將清潔劑直接噴灑於框面。\u2028・未展示時，建議以無酸紙材保護並平放收藏，避免折疊、捲曲或重壓。","Cashonly x Mixdo聯名系列原畫，兩款均限量一張。委由Avocado以當代最高品質的數位輸出技術印製，紙張選用192gsm的Epson Enhanced Matte 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Satin紙張印製，並裱平電木展麗版襯以粗銀鋁框，表面加裝壓克力隔絕空氣，背後由主理人手寫簽名落款與印製版數。配送時均附訂製硬牛皮五層浪板紙箱收藏品僅限宅配與線上刷卡付款藏品將於付款完成後7-14個工作天配達-創作理念米蘭主教座堂（Duomo di Milano）位於義大利米蘭市中心，是天主教米蘭總教區的主教座堂。它從始建到建成共花費了近6個世紀，是義大利最大的教堂、歐洲第三大",36000,[584],"52 X 32 CM","\u002Fuploads\u002Fproducts\u002F012d3ca73337460391f37382d4363461.jpg",[587,590,593,596,599,602],{"id":588,"url":585,"altText":589,"sortOrder":20},1102,"5Th - Duomo di Milano 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油彩、麻布\u003C\u002Fp>\u003Cp>在《封神演義》的敘事中，伯邑考是周文王姬昌的長子，天資聰穎，尤擅琴藝。\u003C\u002Fp>\u003Cp>商紂王忌憚姬昌施行仁政、深得民心，恐其勢力日益壯大，遂將其囚禁。為營救父親，伯邑考攜三件珍寶前往朝歌進貢，並自願入朝為質，試圖換取父親的自由。\u003C\u002Fp>\u003Cp>然而，伯邑考因拒絕妲己的愛慕而遭到誣陷，最終被紂王處死，血肉製成肉餅，送至仍身陷囹圄的姬昌面前。\u003C\u002Fp>\u003Cp>姬昌明知其中真相，卻為求生存而吞下親子的血肉。傳說中，他在返鄉後吐出三隻白兔，象徵伯邑考的魂魄得以解脫。\u003C\u002Fp>\u003Cp>一位父親的悲劇，在神話的書寫下，成為王朝更迭的序曲。\u003C\u002Fp>\u003Chr>\u003Cp>2022年出版的《翦商》，透過考古發現與歷史文獻，重新審視三千餘年前的商代文明。書中除了探討社會結構與政治制度，更揭示了宗教信仰、王權統治與人祭文化之間密不可分的關係。\u003C\u002Fp>\u003Cp>當祭祀成為權力的語言，人的生命便可能淪為溝通神明、維繫秩序的代價。\u003C\u002Fp>\u003Cp>Renaissance 系列始於2018年。六年來，CASHONLY 團隊從人體骨骼結構的研究出發，逐漸延伸至神話敘事，並在本次創作中將視角轉向人本思想。\u003C\u002Fp>\u003Cp>承襲文藝復興時期重新關注人類自身價值的精神，我們試圖透過歷史與文學，重新理解周文王姬昌這位被後世神格化的政治領袖。\u003C\u002Fp>\u003Cp>卸下聖賢的形象，他首先是一位父親。\u003C\u002Fp>\u003Cp>面對君權的壓迫，他必須在尊嚴與生存之間妥協；面對親子的死亡，他所承受的悲痛，與任何身處亂世的普通人並無不同。\u003C\u002Fp>\u003Cp>我們所關注的，並非神話如何成就一位聖王，而是一個人在極端權力結構之下，如何面對自身的無能為力。\u003C\u002Fp>\u003Cp>「自由之樹必須不時以愛國者與暴君的鮮血澆灌。」\u003C\u002Fp>\u003Cp>— Thomas 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